Mass in B Minor is the final great work of composer Johann Sebastian Bach. The Helsinki Baroque Orchestra (HeBO) played it now in the Helsinki Music Center with ten soloists. This mass is a said to be the crown jewel of Bach’s compositions, a work that contains everything. And it is truly gorgeous. It consists of six parts (Kyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei).
The
conductor, Aapo Häkkinen, was unbelievably energetic and the orchestra sounded
absolutely lovely. I especially liked the flute parts. Their brightness was
gripping.
But the ten
soloists made me once again convinced that the human voice is the most beautiful
instrument in the world. They were absolutely superb. It is a pity that when
the tickets were sold, in the beginning the seats were sold automatically in
the seat number sequence and I was not patient enough to wait long enough and
bought a seat on the fifth row. Due to the Covid virus the soloist were spread to
all the length of the stage and sitting in the front part of the audience
unfortunately affected the experience some. I was able to hear my half of the
singers far better than the second half. But I am not complaining too hard,
since all the singers were great. However, because of the funny ticket sales
policy, I am this time better equipped to judge my half of the singers. They
were all good, but, of course, I had a few favourites. Soprano Carolyn Sampson’s
high and bright voice sounded angelic and suited this work beautifully. I also
loved Sophie Junker’s darker soprano; absolutely lovely! And tenor Andrew
Staples was also gorgeous.
The only
problem with Mass in B Minor is that it is difficult to say what is the best
thing about it. After careful consideration I am going to lift three slices of it
above others. The first line of “Kyrie” was divine when all the soloists were
singing together: such harmony and beauty! The fifth slice of “Gloria” – “Qui tollis
peccata mundi” - was breathtaking. I had literally goosebumps when I was
listening to it. The atmosphere was so intense. And finally, the first part of “Agnus
Dei” sung by Sophie Harmsen was outstanding. She had been a bit in the shadow
of the other singers till then, but her “Agnus Dei” was absolutely magnificent.
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