maanantai 28. marraskuuta 2016

Joyce DiDonato at Helsinki Music Center, the 25th of November, 2016


JOYCE DIDONATO

 

Joyce DiDonato performed at Helsinki Music Center in her production In War & Peace – Harmony through music with Il Pomo d’Oro orchestra. This time I am running out of adjectives in describing the night, since it was pure magic. The audience was listening and enjoying the performance in total silence.

The first part of the production was about war, violence, pain. DiDonato’s singing was believable and already the first arias - Handel’s Scenes of horror, scenes of woe and Leonardo Leon’s Prendi quel ferro, o barbaro – rang in ferocious rage. And the beginning of Handel’s Pensieri, voi mi tormentate was absolutely spectacular. What a fantastic voice! At this point I, at least, stopped breathing.

The second part was about peace and harmony. It felt as if there was a totally different woman on the stage. The voice was equally magnificent, but the songs and performing were calm and serene. In this you could really pay attention to DiDonato’s superb technique. Decorations were precise and pure. Really breathtaking virtuosity!

As an additional number DiDonato sang beautifully Richard Wagner’s Morgen, the first words of which (Und Morgen wird die Sonne wieder scheinen) described perfectly the feeling of hope in which it was good to end the evening.

I am sure that the voice of Joyce DiDonato alone would have been enough to enchant the audience, but the production was built as a whole. I couldn’t have been the only one, who forgot to follow the video projections (Yousef Iskander) on the wall and ceiling, when I was concentrating on the singing, but when I did notice them, I had to admit that they were very suitable and supported the themes of the performance. Also the lights (Henning Blum) were well planned and they created a nice atmosphere on the Helsinki Music Center’s otherwise a bit bland scene. In my opinion the dance was perhaps the least contributing part of the performance even though dancer and choreographer Manuel Palazzo did well in his task.

I have to also mention the costumes (by Vivienne Westwood) which reflected the themes of both the parts, too. The first dress was glamorous, even aggressive with a winged skirt and the second dress brought to mind a peacefully flowing river.

Il Pomo d’Oro played well throughout the whole evening. It is a world class baroque orchestra and their solo performances were also enjoyable to listen to. Their cooperation with Joyce DiDonato was well polished but still sounded spontaneous. An absolutely fabulous evening!  

 


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