I had earlier this summer a chance to admire the cooperation
between soprano Tuuli Lindeberg and Anna-Maaria Oramo at the Janakkala Baroque
Festival and now I could continue admiring it at the BRQ Vantaa Festival in the St. Lawrence Chapel
in Vantaa. “Le jardin florissant – The blossoming Garden of the Romance of the
Rose” consisted of renaissance and baroque music from the 13th to
the 16th centuries.
The Romance of the Rose (Le Roman de la Rose) may in the
eyes of the modern man look like a weirdish poem of a youth, of falling in
love, of a rose and of the end of love, but in its day it was a big thing. Lindeberg
and Oramo had chosen some (in their eyes suitable) songs and musical pieces to
tell this story. The instruments were of the era (clavicymbalum and virginal), even
though in the end of the performance in one song the organ was used (just one extremely
long tone at a time), which was hugely impressive and beautiful and in my
opinion suited the situation perfectly.
What made the evening especially interesting was that the
chosen songs were at the same time both similar and different. And since there
were only two performers, the atmosphere was very intensive. The fantastic
cooperation between Lindeberg and Oramo swept you away: they are true
professionals and playing with the roles of singer and accompanist was
fascinating and also fun.
The programme had many fine pieces, but if I have to raise
one above the others, perhaps my personal favourite was Jehan Chadravoine’s
song (from the 16th century) ”Mignonne, allons voir si rose”. I liked its
throbbing rhythm and in my mind it sort of formed a feverish start for a
dreamlike love story.
The only negative thing about the evening was actually the
venue itself. The St. Lawrence Chapel is a modern building and some older, more
ambient surroundings would have suited the performance far better.
St. Lawrence Chapel |
Oramo and Lindeberg |
The rose destroyed |
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